Candice Night Interview at SiriusXM’s The MOMS,109 12/09/2016 at 12:30pm EST
with Denise Albert and Melissa Musen Gerstein
Candice Night Interview at SiriusXM’s The MOMS,109 12/09/2016 at 12:30pm EST
Candice Night Interview at SiriusXM’s The MOMS,109 12/09/2016 at 12:30pm EST
with Denise Albert and Melissa Musen Gerstein
An interview with Ritchie Blackmore and Candice Night for Radio Veronica about Blackmore’s Night, Rainbow and Deep Purple.
Thanks to Alexander Pronyakin for uploading.
Music washes away from the soul the dust of everyday life. -Berthold Auerbach
We recently became acquainted with Candice Night and her music which has topped the charts at Billboard. We love how her voices haunts and soothes as it blends with the mix of traditional and modern day instruments against a folk-rock background. What caught our attention even more is that Candice is a new mom. Grab a cup of coffee or tea – you are going to love this interview.
Candice, you have been singing melodies since 6 months (yes, 6 months readers!), been actively involved in theater, modeling and all forms of the arts. Would you say your involvement in the arts from childhood helped lead you to a singing career?
I think it led to my insatiable appetite for music. A great enjoyment and huge appreciation for it as a medium, an escape, and an outlet, My household was always a very musical one, with both parents playing piano and singing and listening to everything from big band sounds to show tunes. As I got older I really delved into the lyrical side of songs and saw many parallels between my own emotions and what was being expressed in certain songs. In my teens my escape from pressures was always to get lost in the world of music. It was a powerful calling. So I knew I had to be around music somehow as a career. I thought I might work for a radio station or record company, but when I was interning at a radio station and met Ritchie, (my husband and then guitarist of Deep Purple, who is also my co-writer and guitarist of our band Blackmore’s Night), my life took a very unexpected and wonderful turn. Looking back, it was the fact that I was enrolled in acting and theater productions at the age of 4 that allowed me to be able to slip into another character so easily. It fed my imagination and that in turn helped me in my lyrical writing and my stage presence. It was my modeling that honed any skills on video and photo shoots for the cds and my singing from such an early age that gave me a precise ear for pitching. So, it all came into play!
You recently became a mom to a beautiful girl Autumn. How has being a mom inspired your singing?
I actually did the American tour and recorded all of our cd, Autumn Sky, while I was pregnant. I recorded until 2 weeks before I gave birth! It is a very cathartic experience to be able to create music. You are basically sharing your most intimate journal entries, your hopes and fears and dreams with the world within your songs. Then people either dismiss them or adopt them as their own. But when you are creating music and creating a life within you at the same time, that just goes beyond anything words can describe. That parallel of creation is breathtaking. I wasn’t sure if I was having a boy or a girl, and at that point it didn’t matter, but now reflecting on the songs I wrote, my daughter is present as in inspiration in so many of them. Whether it is Strawberry Girl, which is basically what I imagined her to be like if I were to have a girl, and it is amazing how she came out just as I dreamed! Or Believe In Me, a reflection of me, yet so incredibly individual and different at the same time. She is almost 1 and continues to inspire me every moment of the day. I am constantly amazed by her.
Did you sing to Autumn when you were pregnant? Does she seem to “remember” the songs you sang to her? Do you have a favorite song to sing to Autumn now?
I sang to her, I played my instruments, I even played my cd player with my headphones on my tummy! She loves music and she always gets a big smile and dances whenever she hears music, whether it is me singing or from another source. But there are those incredibly intimate and special moments when I will be singing a lullaby or a song I wrote to her and she will just be in my arms, looking into my eyes or watching my mouth and touching my face and you think there is no where I would rather be and I want to live in this moment forever. I do still sing her Strawberry Girl and some songs written especially for her that we haven’t recorded because they are so personal. And of course the standards like Twinkle, Twinkle Little Star. But I am thinking of collecting some of the more unknown lullabies and recording a cd because there are some really beautiful songs out there that you never hear of. Some of my fans started sending some to me after I gave birth and I fell in love with some of the songs. There were some songs that made me so emotional that I couldn’t even sing them to her.
Your career brings you on the road a lot. How do you balance being a working/traveling mom and home life?
The most difficult thing I have had to do was to leave Autumn at home at the age of 3 months for a whole month because we needed to perform in Germany. I am lucky to have my parents live close to me so they took good care of Autumn for that month. But, although I knew she was in good hands, it didn’t make the separation any easier on me. There were bets placed that I would be on a plane home as soon as I had a couple of days off, just to hold her. Before I left I recorded a dvd of me talking and singing to her. I recorded a lullaby cd for her to hear my voice. My parents played them for her everyday so she knew Mommy was around. I also skyped her twice a day so I could at least see her and she responded to me on the computer screen. I just recently tried doing that while I was on tour here and now that she’s 11 months, she saw me and tried to reach me through the screen and got very upset when she couldn’t get to me, so I can’t use that mode of connection anymore! Luckily, she will be coming with us on our upcoming international tours so I won’t have to. Now that’s she’s a bit older, we feel more comfortable having her travel with us. So the upcoming tours will be very interesting! It is hard to balance things though, as a working Mom. There is so much you need to do for work purposes and so much you need to do for home and family. Sometimes there are just not enough hours in the day. But I find that you don’t have to put so much pressure on yourself, you aren’t super human. You do as much as you can, and then everything else will get done when you can do it. It helps to prioritize. But sometimes, you just have to say “No- I can not do that right now”. And as Moms, or as women, that’s not in our genes or comfort zone, sometimes. To admit we’re human, or we can’t fix or take care of something at that very moment. Its a hard lesson to learn.
What tips do you have for keeping in touch with your child when you are out of your regular routine when traveling?
I really loved the idea of recording yourself on a camcorder so your child can see you and hear you, whether its reading a book to them or just a goodnight message or a daily “I Love You”. Phone calls are always great, Autumn just hears my voice and grabs the phone and I listen to her press all the buttons and often, accidentally hang up on me. I love it. I like to leave something behind that smells like me also, so she can sleep with it at night and it is comforting. A compilation cd is great- of the songs you sing to your child or that they hear while you are around. It really depends how old the child is, I know, and as she gets older, she will be able to understand more that Mommy is coming back soon and the communication will be easier via Skype or phone. Right now, we’re at a separation anxiety stage a little bit, so its tricky. But she’s better with me on the phone when I have to go away, I think its still the fascination of Mommy’s voice coming out of a box and her button pressing that she enjoys.
What is the latest project you are working on? How has Autumn become part of this project & your music in general?
We are recording a new cd, as well as I will be releasing my solo cd later this year. Actually, when Autumn was born we changed the name of our current cd from its working title to Autumn Sky because of her. We wanted people to know that the cd was inspired by her and to have hopes that she will have no boundaries in life. The sky is the limit…. I even did her nursery in a sky theme so she has her own Autumn’s sky in her room with Moons and stars on the walls. Ritchie has been holding the guitar over her for her to strum since she was just a couple of months old. So whenever she sees the guitar she gets so excited and wants to strum it. She sings along to everything from her See and Say- which she has been humming to since she was 5 months old- to the dial tone on the speaker phone. She dances all the time. While I was doing mapping tracks for our new cd Autumn grabbed one of my recorders and started blowing into it! How she even figured that out is a mystery to me. So on many of the mapping tracks we can hear Autie playing recorder or singing along on top of what we are doing. Maybe I’ll do a hidden track on the cd for her performances! I also have to do a video for my new solo cd which I will be filming later on this summer and I am trying to write a story board that will allow her to be in the video with me. She is a part of everything we do now. I bring her with me whenever I can. I call her my Pocket Princess because I love to take her with me everywhere. I am constantly hovering over her with a video camera or a still camera. I call myself Mamarazzi I take so many photos of her. Ritchie can be Paparazzi. Ritchie wrote his first song for her when she was home for just 2 days from the hospital. She was in her swing , sleeping, and he wrote the most beautiful words and music inspired by this little sleeping angel. She inspires us all the time.
Candice at a glance
If you had no commitments or obligations, what would you do with a free day? I would spend time outside in nature with Autumn showing her how the grass feels beneath her feet, the wind in her hair, the smells of the flowers, the sand and water on the seashore. Just spending time in nature is so relaxing and invigorating at the same time. It heightens my senses but also cleanses my spirit. I want to share all the wonders and beauty of the natural world with Autumn and for her to be brought up with that same wonder and awe but also respect for nature. We would hear the birds, watch the sunset and then chase fireflies at night. The perfect end to a perfect day.
How do you recharge your mommy battery? I nap when she naps if at all possible. No better way to recharge than much needed sleep. Just shut everything else off and quick cat nap while my angel is napping as well. Or just getting outside to feel the fresh air is a quick pick me up. A total luxury for me would be to run down the road and get a facial or a massage. But those are few and far between!
What is something that is always in your fridge? Eggs. I had gestational diabetes when I was pregnant and I was allowed to have 2 4 inch pancakes and an egg for breakfast. Now that I no longer have diabetes, its still my favorite breakfast, though I have more than 1 pancake these days. But its breakfast food as well as making omelets for a quick lunch or dinner if you run out of ideas or ingredients.
What is your favorite genre of music? I don’t think music should have genres. It always amazes me that something that is born of creative expression and freedom needs to be fit neatly into a box with a nice little label on it for people to be interested or understand it. What we do has so much variety than no one know what box to put us in! So, I have to say I love music that is melodic. That has an air of mystery to it. That has thought to the lyric that brings you on an emotional journey. I love Sarah Brightman, Maggie Reilly, All About Eve. Romantic and visual lyrics and captivating female vocals is what I am drawn to.
If someone were to write a song about your life, what would the title be? Inspired by the Mystery
Font: Kolcraft | Baby Matters Blog
WEll while Candice Night is being very busy on lots of great interviews, gettin’ ready to the Autumn Sky Tour and being a good wife and mother, lets see what she is doing =)
2 questions 2 Candice Night from VeryBest.com
Candice and Ritchie’s interview on WRKC Stroudsberg, PA click here!
And the sweet Autumn 1st Easter with the BunnyBunny! ^^
New Interview with Candice Night
in Czech Magazine Special Cargo!
With Beautiful Photos!!!
I agree with Candy in soo many levels and everytime I read her interviews I feel like she is a childhood friend.
Is like she have a vision to see inside our minds, our disire to see a better world to live. To share only good things with the others. She have Passion to be in this crazy world. Brave Lady she is, so angelical, so nice woman, so sincere and brave. With her own way, a crystal soul, bright eyes, she can change many minds, I know, cause I can see more people having much more desire to learn about art, about music, about nature because Blackmore´s Night is art and nature in music. Is not a fast-food band. Their songs will echoing forever in our hearts. Cause the music is Really good, is true music. And she is really good and true Lady! We can talk about magic, maybe, because is not a magic, she IS true!
THANK YOU John A. Wilcox for this GREAT interview with our Lady Candice Night Blackmore.
A Few Words With…Candice Night
Interview and photos by John A. Wilcox
Candice Night & Ritchie Blackmore formed Blackmore’s Night soon after the dismantling of the last incarnation of Rainbow. Night had been both a vocalist and writer on the final Rainbow studio album Stranger In Us All. Taking a left turn from the heavy sound of Rainbow, Blackmore’s Night took the path of traditional folk and medieval musics with great success. Albums like Under A Violet Moon, Ghost Of A Rose, and The Village Lanterne glow with creative energy. The DVDs Castles & Dreams and Paris Moon showcase the strengths of their live shows. Progsheet recently sat down with Candice Night to gain insight from the loveliest shawm player of all…
PS: Tell me a bit about the Paris gig that was filmed for the Paris Moon DVD.
CN: You know, it’s funny because it was the very first time we’d ever played Paris in ten years – we’d never been to that country. When you play a place, a region or a country for the first time – especially with music that’s not particularly in a box, or commercially accepted and on the radio all the time so everybody knows what you’re doing – you never know if they’re going to have any idea what you’re going to be doing on stage or not. It was kind of risky to say; “You know what? We’re gonna go out there and we’re gonna record it and we’re gonna kind of just test the waters and see how the French audiences react to us.” Because they’ve been known to throw rotten tomatoes at people that they don’t like on stage. We went out there and we couldn’t believe it, it was like they had studied our last DVD, Castles & Dreams and knew exactly when to stand on their feet, when to sit down, when to yell “Hey!” in the middle of some of the songs, what to sing along to. We were just blown away at the reaction and the acceptance of the French audience, we couldn’t believe it.
Right before that, my dad flew over from New York to see the show. There was a lot of pressure because again it was the first time we were playing there. We had all these people who flew in from England and Australia that were videotaping. It was like a one shot deal and it had to be right, there was a lot of pressure. About a half hour before we went to step on stage, I came down with the worst stomach pains, I was doubled over, I was so sick! We got really close – We thought we were actually going to have to cancel the whole thing, which was even more pressure! They called in a local doctor and he diagnosed it. What he did was he just wound up taking out this big, huge hypodermic needle and giving me a painkiller – anti inflammatory injection ‘cos at that point I was really crawling – There was no way I was even going to be able to step on the stage. I remember thinking; “As long as I smile and hit the right notes, I’m sure I can get through this.” And sure enough, as soon as I stepped out there, I guess the medication kicked in – whatever he gave me, it was amazing. It turned out when I got home and went to my doctor she said that I had a really large cyst that actually burst that night.
PS: When I saw the band, I noticed that a portion of the audience were dressed in medieval costumes. I imagine that leads to some wild goings on!
CN: One of the funniest experiences I ever had was in England. These guys came over – they take the trains everywhere- “the tube”. They went to this beautiful opera house and they got changed there. They had brought full head-to-toe armor. They wanted to be knights, but they couldn’t wear it on the train, so they just carried it in this big bag and got changed in the office. They had spoken to the management and said, “Can we just change there? We brought these great costumes.” Got changed there, head-to-toe in this amazing armor, walked in and then realized they couldn’t sit down in it! So now, they’re standing the whole time and it’s getting hotter and hotter, and the show’s going on like two and a half hours. Poor guys! They were so well intentioned, but sometimes you really have to think!
PS: Are people sometimes hesitant to come to the shows “in garb?”
CN: When you’re first playing in a place – although they might have it in their closet, whether they want to admit it or not, a lot of times the first time people come to a show, they go; “What if nobody else is wearing it? What if I’m the only one?” Then they go; “Oh damn! I should’ve worn it!” When they see other people who were brave or crazy enough.
PS: It’s like people never wanting to be the first on the dance floor.
CN: Exactly! Or on the dance floor wearing tights. For a lot of guys, it’s a little bit intimidating, but incredibly comfortable from what I hear! I always find that with our audiences we have such an eclectic audience but we also don’t have a particular set demographic. Except for the fact that I think everyone who comes to our shows are independent thinkers. I don’t think they can be dictated to – what’s in, what’s fashionable, what’s cool. They can’t be fooled with that kind of corporate brainwashing that a lot of radio stations partake in, unfortunately. It’s funny, because, especially overseas I find that they have a lot more variety of what they are playing on the radio, or what does get exposure over there. It’s interesting, I actually find some of the people that I listen to daily here, you’d never hear of – Maggie Reilly, Sarah Brightman, Kate Bush. Brilliant artists that you never hear about here because they don’t get that Sony backing, that BMG backing – because they’re not sixteen – that’s probably what the problem is. There’s not a lot of dance moves that are going on.
PS: What’s the story behind the song Play Minstrel Play?
CN: The way that we write, is that Ritchie will usually come up with a melody – that actually was a traditional melody which was written in the 1500s – and then Ritchie will arrange it. When he’s complete with the idea of the music, I’ll take it and I’ll go into another room and close my eyes. I close my eyes and really try to absorb the song and see if it’s trying to tell me a story. The way that I felt that one was going- It was kind of a mix between the Pied Piper of Hamelin… But then when we were going to get Ian Anderson involved, I thought it was so brilliant because it’s kind of like he embodies that part so well. So we did have the larger myth of the Pied Piper, but also to me it was important because music had always done that for me. Music was kind of like the Pied Piper. It’s like the great puppet master of emotion. It can build you up, it can make you melancholy. It makes you feel excited. It evokes emotion. It’s incredible magic that goes on in your head whenever you hear a song. So it was really the concept that the music was that puppet master of emotion brought together with the legend of the Pied Piper. And then with Ian Anderson playing on it, it was the perfect coming together of everything because he is sort of like the Pied Piper of rock music.
PS: How about World of Stone?
CN: World Of Stone is an interesting culmination of a lot of different ideas. I do a lot of correspondence with my fans on my internet site. One of the things that I found was that I’ll get emails from – it doesn’t matter if it’s from Siberia or Iraq or Massachusetts – it could be from any place in the entire world. I always wind up hearing from people who feel so incredibly alone because they are independent thinkers. Because they want to wear something different that reflects themselves. They have different thoughts. They have the heart of an artist or the soul of a poet and because of that they feel very alienated like they don’t fit in with the rest of the people that are around them. And this is every age group. It’s hard for people to fit in to some other groups where they feel so different. Some of these people are on the verge of running away – either as kids or on the verge of suicide. They’re really that desperate that they feel so alone that nobody else understands them, nobody else is out there. They write in to my site because they feel that what we’re putting out there is the strength of individuality and you should be proud of your persona and your personality and you shouldn’t want to be like everybody else. So it was kind of a mixture between that idea of just look around the corner, there are more people like you that are out there, I promise you – and you should be proud of your feeling the feelings that you’re different. That’s a wonderful thing to have, it’s not a curse, it’s a wonderful thing. People like you change the world. You’re the future.
I was actually doing a lot of work with the town and our local area to try to preserve open space so not every single square inch is built upon with gray paving or skyscrapers or neon signs. Trying to keep all these trees and nature – it’s getting built upon so quickly. I always find that in trying to do what I think is fighting on the side of right, I find that a lot of these people – if you’re not talking to them through money or through favors, you just get a lot of slammed doors in your face. So, to me, World Of Stone represented not only the coldness of these gray stone buildings that humankind is just out there covering every piece of breathable land. Every forest, every meadow is being paved over and built with these big stone walls. But it’s also the people within them having their hearts of stone as well. It’s so hard to try to get through to these people and make them see that nature was here long before we were and if you pave over everything you’re not only killing us and our environment, you’re killing the future of our society.
I found I was just beating my head against the wall and continue to. I keep fighting the good fight – I’m not going to be put down that easy. They say you have to be the change you want to see in the world. So World Of Stone to me was representative of a lot of different things. It was these people who are really feeling so alone – that was the kind of battle cry within that – we’re not alone, and if we all band together we can teach the world. We can break through this world of stone. We can make a difference. We can make things right and keep the beauty and keep the spirit and keep your poet’s heart and don’t get turned away and don’t get discouraged.
PS: I always ask artists to name 6 albums they never get tired of listening to, and today is no exception!
Buckingham Nicks – Buckingham Nicks
Sarah Brightman – Eden
Mike Oldfield – Elements
Maggie Reilly – Midnight Sun
Jethro Tull – M.U.: The Best Of Jethro Tull
Blackmore’s Night – The Village Lanterne